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It is impossible to read this boy’s story―‘ninth child of ten, and the sixth of seven sons’―without feeling the loneliness of that first passage away from home―a black boy crossing into a bastion of white privilege―and the scale of the transformation that awaited him.\"―Carrie Brown, author of The Stargazer's Sister In 1958, fourteen-year-old Larry Palmer left his parents and nine siblings at home in St. Louis and boarded a train to attend Phillips Exeter Academy (then an all boys’ school) on full scholarship. In Scholarship Boy Palmer reflects on his experiences as a young black boy growing up far from home, learning to fit into a white world without becoming estranged from his closely-knit family. Palmer delves back into the early years of his childhood, and at times all the way to his family’s past in rural Arkansas before he was born, and brings the reader up to his undergraduate years at Harvard and his father’s death while he attended Yale Law School in the 1960s. 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Focusing on representations of slavery in the post-civil rights era, Carpio explores stereotypes in Richard Pryor's groundbreaking stand-up act and the outrageous comedy of Chappelle's Show to demonstrate how deeply indebted they are to the sly social criticism embedded in the profoundly ironic nineteenth-century fiction of William Wells Brown and Charles W. Chesnutt. Similarly, she reveals how the iconoclastic literary works of Ishmael Reed and Suzan-Lori Parks use satire, hyperbole, and burlesque humor to represent a violent history and to take on issues of racial injustice. With an abundance of illustrations, Carpio also extends her discussion of radical black comedy to the visual arts as she reveals how the use of subversive appropriation by Kara Walker and Robert Colescott cleverly lampoons the iconography of slavery. 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Details how African-descended women’s societal, marital, and sexual decisions forever reshaped the racial makeup of Argentina. Argentina promotes itself as a country of European immigrants. This makes it an exception to other Latin American countries, which embrace a more mixed—African, Indian, European—heritage. Hiding in Plain Sight: Black Women, the Law, and the Making of a White Argentine Republic traces the origins of what some white Argentines mischaracterize as a “black disappearance” by delving into the intimate lives of black women and explaining how they contributed to the making of a “white” Argentina. 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